Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Mikhail Vrubel
The Pearl (mk19)

ID: 22355

Mikhail Vrubel The Pearl (mk19)
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Mikhail Vrubel The Pearl (mk19)


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Mikhail Vrubel

Russian Symbolist Painter, 1856-1910 Russian painter and draughtsman. He was a pioneer of modernism, and his highly innovative technique broke with the traditions of the Academy of Arts in St Petersburg, where he had been a brilliant student; at the same time he felt dissociated from the social consciousness of The Wanderers.  Related Paintings of Mikhail Vrubel :. | The Six-winged seraph | Red Azaleas | Lilac | The Duel Between Pe-chorin and Grushnitsky | Angel with a censer and a candle |
Related Artists:
arthur o shaughnessy
1844 C 81, English poet and naturalist. He was a member of the zoological department of the British Museum. He wrote four volumes of poetrye Epic of Women (1870), Lays of France (1872), Music and Moonlight (1874), and Songs of a Worker (1881)??which all reveal the influence of D. G. Rossetti. One ode, beginning, We are the music-makers, is his best-known poem.
Jose Julio Sousa Pinto
painted Barco desaparecido in 1890
GILLOT, Claude
French Painter, 1673-1722 French draughtsman, printmaker and painter. He was the son of an embroiderer and painter of ornaments, who doubtless trained him before he entered the Paris studio of Jean-Baptiste Corneille about 1690; there he learnt to paint and etch. In 1710 he was approved by the Academie Royale; he was received as a history painter five years later, on presentation of the Nailing of Christ to the Cross . Although he painted other elevated subjects, including a Death of the Virgin (1715; untraced) for his native Langres, he was most active as a draughtsman and printmaker specializing in theatre and genre scenes, as well as bacchanals and designs for decorations. Gillot's principal source of inspiration was the popular theatre; he is said to have run a puppet theatre, to have written plays and once to have been in charge of sets, machinery and costume for the opera. This interest was to have a profound effect on the art of his principal pupil, Antoine Watteau






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